Looking to get spooked? Come face to face with otherworldly terrors, sinister killers, and more with a specially curated playlist on KrisWorld. These selections range from wild, supernatural horror movies to psychological thrillers.

Over Your Dead Body
Some people go to counselling to save a marriage. Dan (Jason Segel) and Lisa (Samara Weaving) have a different plan in mind — and it’s got nothing to do with divorce. 

The hilariously twisted Over Your Dead Body sends the pair off to a cabin for one last shot at saving things. But it’s all a ruse! Dan has hired a hitman to quietly get rid of Lisa, unaware that Lisa has murderous plans of her own. And just when things can’t get messier, a gang of fugitives (played by Timothy Olyphant, Juliette Lewis, and retired MMA fighter Keith Jardine) crash the homicidal proceedings.

A remake of the 2021 Norwegian film The Trip, Over Your Dead Body is packed with twists and a wickedly dark sense of humour — no surprise, given that director Jorma Taccone and writers Brian McElhaney and Nick Kocher all cut their teeth in sketch comedy. Segel and Weaving, meanwhile, are a delight as a couple teetering right on the edge of sanity.

Crime 101
Don’t sleep on one of the year’s most underrated gems: Crime 101, a high-stakes cat-and-mouse thriller anchored by a rugged Chris Hemsworth.

Hemsworth plays Mike Davis, a veteran jewel thief eyeing one last score: a multimillion-dollar diamond heist. But retirement won’t come easy — a relentless detective (Mark Ruffalo) is closing in, the job has left him scarred inside and out, and a new romance (Monica Barbaro) is giving him fresh reasons to walk away for good.

For the job, Mike leans on intel from a disgruntled insurance broker, Sharon (Halle Berry). But his underworld contact Money (Nick Nolte) has other plans, quietly sending a murderous young biker named Ormon (Barry Keoghan) to trail him. What follows is a high-wire tangle of greed, betrayal, and double-crosses, as Crime 101 pushes Mike right to the edge.

Scream 7 
Sidney Prescott (Neve Campbell) has finally built the quiet life she always wanted. Married to police chief Mark Evans (Joel McHale), running a cosy coffee shop, and raising her teenage daughter Tatum (Isabel May) — named after her late best friend — Sidney has spent years trying to leave her traumatic past behind. Everything seems perfect, but peace never lasts long in Scream.

A new Ghostface killer has emerged, and this time the target is Sidney’s daughter. Forced to confront her dark memories, Sidney must once again outwit a masked murderer while protecting the people she loves most, hopefully putting an end to the horrors once and for all — or, at least, until the next Scream movie drops.

How to Make a Killing 
Inspired by the 1949 classic British black comedy Kind Hearts and Coronets, this thriller stars Glen Powell as Becket Redfellow, a man disowned at birth by his billionaire family and left with nothing. Now in his 30s, he’s finally ready to claim what he believes is rightfully his: a staggering US$28 billion inheritance.

One problem, though: there are seven relatives still standing in his way.

What follows is a deliciously twisted dark comedy as Becket begins methodically plotting the demise of his family members, one by one. Powell’s natural charm carries the film — even though he is technically committing murder, you can’t help but root for the guy. The film balances bloody mayhem with a surprisingly charming romantic dilemma: will Becket choose love, or the fortune he’s convinced should have been his all along?

The Conjuring: Last Rites
The case that finally convinces Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) to retire from demon-hunting is also the most personal of their careers. Set in the 1980s, The Conjuring: Last Rites brings the Conjuring franchise full circle as the Warrens are drawn into a chilling investigation involving their daughter, Judy (Mia Tomlinson). Years earlier, a cursed antique mirror nearly claimed Judy’s life; now it has resurfaced, attached to the troubled Smurl family with a vengeful demon bound to it.

As Judy prepares to build a quiet, ordinary life of her own, she struggles to suppress the clairvoyant abilities she’s inherited from her mother. But when the Smurls reach out for help, the past comes back to haunt the Warrens. Forced back into the darkness one final time, Ed and Lorraine must face demons — both the literal and figurative kind. 
 
Haunting and emotional, Last Rites delivers a chilling farewell to the Warrens’ legacy. 

Weapons
Seventeen children run from their homes and disappear into the night. No one knows where they’ve gone.   

Weapons opens with that jaw-dropper of a sequence, immediately plunging viewers into a slow-burning — but truly terrifying — thriller. It then follows the aftermath of that chaos: Justine Gandy (Julia Garner), the young teacher whose students — save for one, Alex Lilly (Cary Christopher) — have disappeared, searches for answers. Many believe her to be a suspect, including one of the parents, Archer (Josh Brolin). Utterly consumed by the disappearance of his son, Archer sets out to find the truth. 
 
Director Zach Cregger, who made the breakout horror hit Barbarian, fuses mystery, heartache, and pure terror into what has become the surprise horror hit of 2025. 

Sinners
Black Panther director Ryan Coogler takes a bite out of the vampire-horror genre in his fifth film collaboration with actor Michael B. Jordan.

In the Deep South during the Jim Crow era, twin brothers Smoke and Stack (Jordan in a dual role) return to their hometown in Mississippi, where Stack runs into his old flame, Mary (Hailee Steinfeld), and Smoke reunites with his estranged wife, Annie (Wunmi Mosaku).

But it’s not just long-buried relationships that are being reawakened — the brothers’ brand-new juke joint soon attracts the attention of the undead, led by the Irish bloodsucker Remmick (Jack O’Connell), on opening night. They’re thirsty as hell, and it’s not for the moonshine …

Sinners isn’t just a scare-fest — Coogler smuggles in hefty themes, such as the oppression of Black people in America, into the movie. But none of its thematic explorations feels heavy-handed or clunky. At turns terrifying, sexy, and smart, Sinners is, as trade magazine Variety says, a “wild throat-ripping blowout”.